1969 | The Line
The Line, 196922.8 x 426 cm5 cm tape on floor Exhibitions:Monochromes, Queensland University Art Museum, 2001Installation view with Mel Ramsden’s ‘No title’ 1966 and Ian Burn’s ‘Blue Reflex’ 1967
Installation Works
2015 | Haus Wittgenstein, Kundmanngasse 9
Haus Wittgenstein, Kundmanngasse 9, installation view, 2015 TITLE Haus Wittgenstein, Kundmanngasse 9 YEAR 2015 TYPE Exhibition / Installation ARTWORKS 10 paintings DIMENSION 42.5 x 39.5 cm (each) MATERIALS acrylic on wood panel, glass and wood
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1999 | Kansas
Title: KansasMaterial: wood, metal, lightsDimension: approx. 5 m x 5 mLocation: Sherman Gallery, SydneyDate: 1999
2009 | Labyrinth of Light, Vivid, Sydney
Artwork Title: Labyrinth of LightMaterial: plywood panels, acrylic paint, T5 fluorescent tubes, computer dimming systemDimension: approx. 300 x 1600 cmExhibition: Vivid Sydney Festival / Smart Light Sydney: Art Light at UTSLocation: University of Technology, SydneyDate: 2009
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2009 | The Garden Grotto / Die Garten Grotte – Bundesgartenschau Schwerin
Proposal: Bundesgartenschau, Schwerin, GermanyTitle: Die Garten Grotte / The Garden GrottoLocation: Schwerin, GermanyDate: 2009
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2007 | Richard Dunn at Peloton, Sydney
Exhibition
Artwork Title: Untitled
Material: acrylic and Peugeot bicycle on plywood, digital print, screenprint on canvas
Dimension: each part 180 x 240 cm
Year: 2007
Location: Peloton, Sydney
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2010 | The Labyrinth, Mati Ghar, New Delhi
Exhibition: Festival of Sacred Arts, DelhiArtwork Title: The LabyrinthMaterial: marble dust and pigment on cotton on wood (Rangoli)Dimension: 300 cmx 300 cm x 40cmYear: 2010Location: Mati Ghar, Indira Gandhi Centre for the Arts, New Delhi, India
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2004 | Blickdicht, Chemnitz, Germany 2
Exhibition Artwork Title: Blickdicht Material: C-type photos 60 cm high, wood tables 50 cm x 50 cm x 200 cm, perspex – installation Location: Kunstsammlugen Chemnitz, Chemnitz, Germany Dimension: 25 m x 9.6 m x 8 m Year: 2004 Material: colour photographs, knitted stockings, tables & perspex – installation Year: 2004
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2009 | a plaid found at Culloden, Edinburgh
Exhibition Title: a plaid found at Culloden Location: sleeper, Edinburgh Material: space, acrylic, graphite, fluorescent light – installation Date: 2009
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2012 | by leaves we live, sleeper, Edinburgh
ExhibitionTitle: by leaves we liveLocation: sleeper, EdinburghMaterial: steel and digital printsSize: each 60 cm x 40 cmDate: 2012 ‘By Leaves We Live’“This is a green world, with animals comparatively few and small,and all dependent on the leaves.By leaves we live.Some people have strange ideas that they live by money.They think energy is generated by the
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1980 | Tools of Coincidence
Title: ‘Tools of Coincidence’ Material: oil/canvas, six pairs Dimension: each pair 30.5 cm x 45.7 cm Year: 1980 Mix Tape 1980s: Appropriation, Subculture, Critical Style National Gallery of Victoria, Melbourne, 2013 “Remembered as a decade of big hair, shoulder pads, music videos and an art market boom, the 1980s was a period in which
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2004 | Blickdicht, Chemnitz, Germany 1
ExhibitionTitle: BlickdichtMaterial: colour photographs, knitted stockings, tables & perspex – installationLocation: Kunstsammlungen Chemnitz, Chemnitz, GermanyYear: 2004 see also “2000 | In Chemnitz”
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2006 | Westworld | 1848, Düsseldorf
Artwork Title: Westworld | 1848Material: Pinewood chairs and fluorescent lights, stairwellDimension: approx. 5 m x 180 cm x 180 cmYear: 2006Location: Künstlerverein Malkasten, Düsseldorf
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2005 | ShadowZone, Sydney
Title: Shadowzone, Sydney Material: flourescent light, polyester, sound – installation Dimension: 1500 cm x 1500 cm x 350 cm Location: Artspace, Sydney Year: 2005 Shadowzone ‘Shadowzone’ uses light to establish the nature of a viewer’s presence in the work. While in ” ” (quotation) 1995, also shown at Artspace, light had a subtle
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2000 | Nomad, Voxxx, Chemnitz
Title: Nomad Material: acrylic/unstretched canvas, bags, fluorescent light Dimension: dimensions variable; canvas 100 cm x 100 cm & 100 cm x 150 cm Location: Voxxx.galerie, Chemnitz Date: 2000
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1997 | Nomad, Kassel
Artwork Title: NomadMaterial: incandescent lights, Chinese bagsDimension: approx. 6 m x 6 mYear: 1997Location: Innenseite, Kassel
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1995 | ” ” (quotation), Sydney
Title: ” ” (quotation), SydneyMaterial: adhesive plastic letters, dimmable flourescent light, gloss paintDimension: approx. 3 m x 12 m x 10 mLocation: Artspace, SydneyYear: 1995
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1994 | Homeless / Heimatlos, Lodz
Title: Homeless / Heimatlos, Lodz Material: Wallpaper, Chinese plastic bags, electric light, wood Dimension: variable Location: Artists’ Museum, Lødz, Poland Year: 1994 see also: Nomad 1997 & 1998
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1992 | Desire Lines & Circles of Confusion, Sydney
Title: Desire Lines and Circles of Confusion, Sydney Material: Chairs, rope, paint, incandescent lights Dimension: variable Location: Synthesis, Bond Store, Sydney Collaboration with Graham Jahn, architect Year: 1992
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1990 | Curved Space (Seeing Double), Sydney
Title: Curved Space (Seeing Double), Sydney Material: steel and plasterboard construction, steel and mirror Dimension: approx. 3.5 m x 10 m x 2.5 m Location: Biennale of Sydney, Bond store Date: 1990
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1990 | Mirror Piece (the Visible Zone)
Title: Mirror Piece (the Visible Zone) Material: two convex mirrors, steel Dimension: each 40 cm2 Date: 1990 Two convex mirrors on opposing walls aligned towards each other at less than 90° to the wall. A work that requires an observer.
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1988 | 100 Blossoms
Title: 100 Blossoms Material: timber, gyprock, steel, mirror Dimension: 6 m x 6 m x 3 m approx. Room in a room Location: Biennale of Sydney Year: 1988
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1980 | Das Atelier | The Studio
Title: Das Atelier/The Studio Material: wood, gyprock, charcoal, paper, paint, tools Size: 6 m x 6 m x 3 m approx. Year: 1985 Location: DAAD Gallerie Berlin & Art Gallery of New South Wales
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1981 | Barricades, Sydney, Melbourne, Paris
Barricades (components) 1981 Art gallery of New South Wales Red cloth, oil/canvas, pallets 240 cm x 350 cm x 200 cm Barricades: The Second Construction, 1981 QED / One Central Street, Sydney Red cloth, oil/canvas, audio tape and speakers, drawing and text on paper dimensions variable Barricades No.3 (The Sheet, The Monochrome, The Banner) 1848
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1980 | Monastery Sydney
Title: MonasteryMaterial: Wood construction, chair, zinc paint, b/w photographs, each 51 cm sq., colour; each 10 cm x 15 cm, ladder – installationLocation: modernArt, One Central Street, SydneyDate: 1980 Material: b/w photographs each 51 cm sq., colour photographs each 10 cm x Dimension: variableYear: 1980Location: modernArt / One Central Street, Sydney
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1979 | October, Sydney
Material: enamel on wall, tools Dimension: variable Year: 1979 Location: SCA space, Sydney
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1969 | Line
Title: Line Material: 5 cm tape on floor Dimension: 22.8 x 426 cm Year: 1969 Location: Monochromes, Queensland University Art Museum, 2001 Installation view with Mel Ramsden’s ‘No title’ 1966 and Ian Burn’s ‘Blue Reflex’ 1967, originally in Ian Burn’s exhibition ‘Looking Seeing Reading”, 1993
2005 | mannig faltig
Date: 2006Location: Der Förderverein Kunst der DRK Kliniken Berlin | WestendMaterial: Paintings and photographs see also Paintings detail
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1999 | Wall Sculpture
Title: Opera Australia Wall Sculpture Material: mixed media with light, sound/video Size: 600cm x 200cm x 40cm approx. Location: Opera Australia, Melbourne Date: 1999
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