ESSAYS
BIBLIOGRAPHY
Selected Bibliography
Books, Catalogues, Periodicals
Journals
Books, Catalogues, Periodicals
2014
Wayne Tunnicliffe & Anneke Jaspers, eds, Pop to Popism, Art Gallery of New South Wales, Sydney, Australia, 2014
2009
John Murphy, ed., Gallery A Sydney 1964-1983, Campbelltown Arts Centee and Newcastle Region Art Gallery, Sydney and Newcastle, Australia, 2009
2007
Suzanne Davies & Peter Barnes, ‘Living Elvis’, RMIT Gallery, Melbourne, 2007
Christoph Dahlhausen, Hans M. Schmidt, Dagmer Weste, eds, ‘Australia – Contemporary Non-Objective Art / Australien: Ungegenständliche Kunste – Heute’, Hachmannedition, Bremen, 2007
2006
McCulloch, A., and Mc Culloch, S, Richard Dunn, The Encyclopaedia of Australian Art, Allen and Unwin, St Leonards, N.S.W, 2006
Dr. Paul Eubel, ed., Richard Dunn, Weltanshauung, Goethe-Institut & Swiridoff Verlag, Palermo & Künzelsau, 2006
Keith Broadfoot, Lost in Transit: The Non-Place of Installation, Australian and New Zealand Journal of Ar, Sydney, 2006
Ingrid Mössinger & Anne Marie Freybourg, eds, Anne Marie Freybourg, Knut Ebeling, Stian Grøgaard, Richard Dunn: Mannig•faltig/Mani•fold – Malerie+Fotos/Painting+Photography, Jovis Verlag, Berlin, 2005
2004
Ingrid Mössinger & Katharina Metz, eds. Richard Dunn, Friedrich Naumann, Liane Sachs, Katharina Metz, Blickdicht: Damenstrümpfe in Chemnitz/Installation Richard Dunn/Kunstsammlungen Chemnitz, Edition Leipzig, Leipzig, 2004
Richard Dunn, ‘The Chemnitz Project: Built Fabric’, Ingrid Mössinger & Katharina Metz, eds, Blickdicht: Damenstrümpfe in Chemnitz/Installation Richard Dunn/Kunstsammlungen Chemnitz, (solo cat.), Edition Leipzig, Leipzig, 2004
Richard Dunn, ‘Reminiscence of the Factory in Beijing’, in Huang Rui, ed., Beijing 798: Reflections of Art, Architecture and Society in China, Beijing, 2004
Richard Dunn, ‘Urbane Geometry’, in Southern Review, Vol.37 No.1, Melbourne, 2004
Richard Dunn, David Watson’s Terror Australis, (cat.), GBK Project, Sydney, 2004
2003
Pamela Hansford, ‘From Vienna to Chemnitz: Eclecticism & Interpretation in the Work of Richard Dunn’, in Eyeline: Contemporary Visual Arts, Number 52, Brisbane, 2003
Richard Dunn, Jess MacNeil: Tenuous Ground, (cat.), Gallery Barry Keldoulis, Sydney, 2003
2002
Rex Butler, ‘The Case of Richard Dunn’, in, A Secret History of Australian Art, Craftsman House, Sydney, 2002
Terry Smith, Transformations in Australian Art: The Twentieth Century Modernism and Aboriginality, Craftsman House, Sydney, 2002
2001
Stian Grøgaard, ‘Richard Dunn: Complexity and Signature Style’ in The Restless Object: Twelve Conversations on Contemporary Art, Unipax, Oslo, 2001
David Pestorius, ‘Monochromes’, in Monochromes, (cat.), University Art Museum The University of Queensland, Brisbane, 2001
2000
Michael Shmith, ‘The writing is on the walls’, Opera Australia: Figaro, No.6, Melbourne, 2000
1999
Terry Smith, ‘Peripheries in Motion: Conceptualism and Conceptual Art in Australia and New Zealand’, in Global Conceptualism: Points of Origin, 1950s-1980s, Queens Museum of Art, New York, 1999
1998
Ian McLean, White Aborigines: Identity Politics in Australian Art, Cambridge University Press, Cambridge, 1998
Adrian Martin, ‘Immaculate Conceptions’, Australian Art Collector, #3, Sydney, 1998
Mark Titmarsh, ‘Innenseite’, Object, Sydney, 1998
1997
Richard Dunn, ‘Art the Crossroads: Art in the Fleamarket’, Like Art Magazine, Number 4, Melbourne, 1997
Linda Michael, Ben Curnow, Pam Hansford, The MCA Collection: The Loti and Victor Smorgon Gift of Contemporary Australian Art, (cat), The Museum of Contemporary Art, Sydney, 1997
Richard Dunn, ‘Project page’, Innenseite, Vol 1, (cat.), Universitat Ghk Kassel, 1997
Richard Dunn, ‘Inside the Outside (and vice versa)’ in Binghui Huangfu, ed., In and Out: Contemporary Chinese Art from Mainland China China and the Diaspora, (cat.), Lasalle Sia College of the Arts, Singapore, 1997
Richard Dunn, Looking at Seeing and Dreaming, (cat.), Sherman Galleries Goodhope, Sydney and First Floor Melbourne, 1997
1996
Richard Dunn, ‘Public Art’, Craft Victoria, Melbourne, 1996
Rex Bulter, What is Appropriation? An Anthology of Critical Writings on Australian Art in the 80’s and 90’s, IMA and Power Publications, Brisbane and Sydney, 1996
Richard Dunn, ‘The Pursuit of Meaning: A Strategy of Parts’, in ed Rex Butler, op cit, 1996
Richard Dunn, ‘Art + Architecture: Designing the Raft of the Medusa’, in Intersection: Art + Architecture, Royal Australian Institute of Architects, Canberra, 1996
Rex Butler, ‘Real Installation’, Art and Australia, 33, Sydney, 1996
1995
Lyndal Jones, ‘on reading looking and remembering’ and Rex Butler ‘the real of installation’ in (quotation), (cat.), Artspace, Sydney, 1995
Elizabeth Cross, ‘Introduction ‘, Richard Dunn, (cat.), Sherman Galleries Goodhope, Sydney, 1995
1994
Charles Green, ‘Richard Dunn’ Artforum, New York, 1994
Richard Dunn, Richard Dunn: Selected Writings 1978 – 1994, Monash University Gallery, Melbourne, 1994
Graham Coulter-Smith, ‘Richard Dunn’s Strategy of Parts: From Minimalism to Postmodernism’, in Richard Dunn: Selected Writings 1978 – 1994, Monash University Gallery, Melbourne, 1994
Robert Lindsay, ‘Working through the decade: the artists and their works’, The Baillieu Myer Collectio of the 80’s, (cat.), Museum of Modern Art, Heide , 1994
1993
Ian Burn, Looking Seeing Reading, (cat.), Ivan Dougherty Gallery, Sydney, 1993
Linda Williams, The Architecture of Reform: Richard Dunn’s ‘Surveillance and Punishment’ 1988, (cat.), Royal Melbourne Institute of Technology, Melbourne, 1993
Ian North, Artlink, June, 1993
1992
Bruce Adams, Art + Text, Sydney, 1992
Terence Maloon, ‘The Dialectical Image’, in Richard Dunn: The Dialectical Image – Selected Work 1964-1992, (cat.), Art Gallery of New South Wales, Sydney, 1992
Davina Jackson, (Richard Dunn & Graham Jahn) Synthesis: Art and Architecture, (cat.), Sydney, 1992
Davina Jackson, (Richard Dunn & Graham Jahn) Future City, (cat.), Sydney, 1992
1991
Richard Dunn, ‘Education/Training in/of/for/by Art’, Art Monthly, Sept, Sydney, 1991
1990
Bernard Smith with Terry Smith, Australian Painting 1788-1990, Oxford University Press, Melbourne, 1990
Rene Block, Eighth Biennale of Sydney: The Readymade Boomerang, (cat.), Sydney, 1990
Linda Williams, ‘Contradiction and Realism in the work of Richard Dunn’, in Alison Carroll Art from Australia: Eight Contemporary Views, (cat.), Melbourne, 1990
1989
Peter Weiermair, Prospect 89, (cat.), Frankfurter Kunsthalle, Frankfurt, 1989
Meaghan Morris, ‘Intrigue’, Sighting References, Artspace, Sydney and The Pirates Fiancé, Verso, London, 1989
Christa von Helmolt, Aus vielen Labors, Faz, Frankfurt, 1989
1988
Peter Weiermair and Tony Bond, The Australian Exhibition, (cat.), Frankfurt, 1988
Nick Waterlow, 1988 Australian Biennale. From the Southern Cross: A View of World Art c. 1940- 1988. Art, (cat.), Sydney, 1988
Bruce Adams, Edge to Edge: Australian Contemporary Art to Japan, (cat.), The Australian Bicentennial Authority and participating museums, 1988
Jacques Delaruelle, ‘Richard Dunn’, Art Monthly, October, Sydney, 1988
1987
Gary Sangster, Sighting References, (cat.), AGNSW & National Gallery of NZ, Sydney and Wellington, 1987
Tony Bond, Australian Bicentennial Perspecta, (cat.), AGNSW, Sydney, 1987
Terence Maloon, ‘Richard Dunn’, The Idea Show, (cat.), University of Tasmania, Hobart, 1987
Rob Horne, ‘The Identity of History’, The Idea Show, (cat.), University of Tasmania, Hobart, 1987
Susan Morgan, ‘Great Expectations; The Sixth Biennale of Sydney’, Artscribe, January/February, London, 1987
1986
Nick Waterlow, Origins, Originality and Beyond, (cat.), Biennale of Sydney, Sydney, 1986
Fay Brauer, ‘Sydney Biennale’, Art Monthly, October, London, 1986
Richard Dunn, ‘Argument with Design (annotated)’, On The Beach, No.10, Sydney, 1986
Thomas Lawson and Susan Morgan, ‘The Biennale of Sydney, 1986’, Real Life Magazine, No.16, Autumn, New York, 1986
Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Autumn, Sydney, 1986
Nick Waterlow, ‘Introduction: Origins, Originality and Beyond’, Origins, Originality and Beyond, Biennale of Sydney, Sydney, 1986
Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Autumn, Sydney, 1986
Thomas Wulffen, Kunstforum, January/February, Koln, 1986
Peter Huck, ‘Sixth Biennale’, Panorama, June, Sydney, 1986
1985
John MacDonald, ‘Close Remarks: On Art and Theory’, Art-Network, 18, Sydney, 1985
David Bromfield, ‘The Pleasure of the Gaze’, Art-Network, 18, Sydney, 1985
Jacques Delaruelle, ‘Richard Dunn’, Art Press, 97, Paris, 1985
Terence Maloon, ‘Richard Dunn’, Australian Perspecta ’85, (cat.), Art Gallery of New South Wales, Sydney, 1985
Anthony Bond, ‘Introduction’, 5/5: Fünf vom Fünften, (cat.), DAADgalerie, Berlin, 1985
Terence Maloon, ‘Richard Dunn’, 5/5: Fünf vom Fünften, (cat.), DAADgalerie, Berlin, 1985
Graham Coulter-Smith, ‘The Politics of Picturing’, On the Beach, No.9, Sydney, 1985
Tim Johnson, ‘An Impossible Vision’, On the Beach, No.9, Sydney, 1985
Gary Sangster, ‘Closing Remarks: Placing Art and Theory’, On The Beach, No.9, Sydney, 1985
Richard Dunn, ‘Designed for Living’, On the Beach, No.9, Sydney, 1985
Bronwyn Clark-Coolee, Drawing From The Barricades, Institute of Modern Art, Brisbane, 1985
Suzanne Davies, The Politics of Picturing, Part II, (cat.), Institute of Modern Art, Brisbane, 1985
Bruce Adams, The Pleasure of the Gaze, (cat.), Art Gallery of Western Australia, Perth, 1985
Donald B. Kuspit, ‘Australian drawings at CDS’, Art in America, New York, 1985
1984
Ken Sofer, ‘Views from down under’, Artnews, New York, 1984
Memory Holloway, ‘The Australians: three generations of drawing’, (cat.), CDS, New York, 1984
Suzanne Davies, he Politics of Picturing, (cat.), University of Tasmania, Hobart, 1984
Richard Dunn, ‘Cultural Scan’, ZG/Art&Text, No.15, New York and Melbourne, 1984
Richard Dunn, ‘Other Than What’, and Introduction to ‘The Dream and the Reality: Sketches from Paris’, Art-Network, No.13, Sydney, 1984
1983
John Young, ‘Anything Still’, Art&Text, Spring, Melbourne, 1983
Paul Taylor, ‘Popism – The Art of White Aborigines’, Flash Art, 112, Milan, 1983
Suzanne Pagé , Leon Paroissien, D’un autre continent, Australie: Le Rêve et le reel, (cat.), ARC/Musee d’art Moderne de la Ville de Paris, Paris, 1983
John Young and Brendan Stewart, eds, Kerb Your Dog No.2, Sydney, 1983
Richard Dunn & Suzanne Davies, ‘Grappling With Diversity: Perspecta 1983’, Art-Network No.10, Sydney, 1983
Richard Dunn, ‘Skating on Thin Ice’, On The Beach, No.2, Sydney, 1983
1982
Richard Dunn, ‘The Pursuit of Meaning: A Strategy of Parts’, Art & Text, No.6, Melbourne, 1982
Memory Holloway, ‘Popism’, Art-Network No.7, Sydney, 1982
John Nixon, ed., Richard Dunn, ‘!The Spirit of Practice!’, Notes on Art Practice No.1, Art Projects, Melbourne, 1982
1981
Bernice Murphy, Australian Perspecta ’81 (cat.), Art Gallery of New South Wales, Sydney, 1981
Richard Dunn, A Dialogue of Objects (cat.), IMA, Brisbane, 1981
Judy Annear, Frame of Reference, (cat.), George Paton Gallery, Melbourne, 1981
1979
Grazia Gunn, The Work and its Context, (cat.), Australia Council, Sydney, 1979
Nick Waterlow, European Dialogue, (cat.), Biennale of Sydney, Sydney, 1979
Richard Dunn, There are many levels, (cat.), IMA, Brisbane, 1979
1978
Richard Dunn, ‘Each work carries its own constraints’, Roadshow: Works on Paper, (cat.), Sydney, 1978
Geoffrey de Groen, Conversations with Australian Artists, Quartet, Melbourne, 1978
Journals
2002
– Peter Hill, Join the dots to link these artists, The Sydney Morning Herald, Sydney, 24 May 2002
– Lenny Ann Low, Wittgenstein’s Colour, The Sydney Morning Herald, Sydney, 20 May 2002
2000
– ‘Richard Dunn zeigt im VOXXX: Kunst aus Australian’, Chemnitzer Blick, Chemnitz, 28 July 2000
– ‘Australier hat Chemnitzer Kanten liebgewonnen’, Freie Presse: Chemnitzer Zeitung, Chemnitz, 16 July 2000
– ‘Ein Australier macht Chemnitz zum Atelier’, Chemnitzer Morgenpost, Chemnitz, 16 July 2000
– ‘Richard Dunn Nomad’, Chemnitz Amsblatt, Chemnitz, 5 July 2000
– Gabriela Coslovich, The Age, Melbourne, 16 February 2000
1999
– Klaus Susiluoto, ‘Austraian taide ristiaallokossa’, Länsiväylä, Helsinki, 24 February 1999
– Marja-Terttu Kivirinta, Elava sydan, Helsingin Sanomat, 4 February 1999
1998
– Harald Flor, Australsk mønstre, Dagbladet, Oslo, 5 August 1998
– Lotte Sandberg, Kartlegging av ulikt terreng, Aftenposten, Oslo, 4 August 1998
– Hilde Østby, Australsk på Stenersen (Photo), Dagbladet, Oslo, 8 July 1998
1997
– Terry Ingram, ‘Sideshow eclipses main event’, The Australian Financial Review, Sydney, 10 July 1997
– John MacDonald, ‘Exercise in Boredom: Documenta X’, The Sydney Morning Herald, 1 January 1997
1994
– Elizabeth Cross, ‘Dunn shuns ‘signature’ to reward serious study’, The Age, Melbourne, 1 October 1994
1993
– Christopher Heathcote, The Age, Melbourne, 1 January 1993
1989
– Kunster vom Fünften Kontinent, Westfålische Nachrichten, Dortmund, 28 January 1989
– Kunster vom Fünften Kontinent , Westfålische Runscau, Dortmund, 21 January 1989
– Michael Nungesser, Spannung swischen den Einflüsen, Volkblatt, Berlin, 21 January 1989
– Christa von Helmolt, Aus vielen Labors, Faz, Frankfurt, 11 January 1989
– Die Ureinwohner sind kein Vorbild, Mannheimer Morgen, Mannheim, 5 January 1989
– Ernst Buck, Australien zeight Flagge, Offenbach-Post, Nr 303, Frankfurt, 1 January 1989
1988
– V.A., Australier in Kunstverein, Frankfurter Rundscau, Frankfurt, 30 December 1988
– Kunster vom Fünften Kontinent, Schaumburg Lippische Landzeitung, 15 December 1988
– Weibliche Posen nach Rodin und Michaelangelo, Soester Anseiger, 15 December 1988
– Elwynn Lynn, ‘Art: Unashamedly Abstract’, The Australian, Sydney, 10 September 1988
– John Macdonald, ‘Richard Dunn, undone’, The Sydney Morning Herald, Sydney, 10 September 1988
1986
– Terence Maloon, ‘Images open the spaces for thought’, The Sydney Morning Herald, Sydney, 1 November 1986
– Bruce Adams, ‘Artistic gestures point to culture’s myths and motifs’, The Sydney Morning Herald, Sydney, 2 August 1986
– Ian Wedde, ‘Which way was the engine pointing’, The Arts Times, New Zealand, 1 August 1986
– Don Anderson, ‘The writings on the wall’, The National Times, Sydney, 13 June 1986
– Elwyn Lynn, ‘A rich mix of Arte Povera’, The Australian, Sydney, 1 June 1986
– Terence Maloon, ‘The finale on the Biennale with the Beuys factor’, The Sydney Morning Herald, Sydney, 24 May 1986
– Terence Maloon, ‘The chic chutzpah of art’s new subversives’, The Sydney Morning Herald, Sydney, 23 May 1986
– Arthur McIntyre, ‘Big on kitsch and regurgitation’, The Age, Melbourne, 22 May 1986
– Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Sydney, 1 May 1986
– Peter Ward, ‘Big, but not monumental’, The Australian, Melbourne, 1 January 1986
1985
– Grant Hannan, ‘View of the unexpected’, The Herald, Melbourne, 21 November 1985
– Gary Catalano, ‘Both sides of the Gulf’, The Age, Melbourne, 21 November 1985
– Robert Rooney, ‘Art: Non-event of the year’, The Australian, Melbourne, 16 November 1985
– Jacques Delaruelle, ‘Richard Dunn’, Art Press, 97, Paris, 1 November 1985
– Thomas Wulffen, ‘Begegnung mit einen Kontinent’, Der Tagespiegel, Nr.12145, Berlin, 5 September 1985
– Terence Maloon, ‘Dunn’s historical images at cross purposes’, The Sydney Morning Herald, Sydney, 17 August 1985
– Terence Maloon, ‘Creating room at the top: Richard Dunn’, The Sydney Morning Herald, Sydney, 20 January 1985
1984
– Kim Levin, ‘They came from down under’, Village Voice, New York, 9 October 1984
1983
– Terence Maloon, ‘From Pyrmont to Athens’, The Sydney Morning Herald, Sydney, 7 May 1983
1981
– Nancy Borlase, ‘Richard Dunn builds a puzzle worth solving’, The Sydney Morning Herald, Sydney, 29 August 1981
– Nancy Borlase, ‘The answer to the Biennale is good’, The Sydney Morning Herald, Sydney, 30 May 1981
1980
– Jeffrey Makin, Art, The Sun, Melbourne, 27 August 1980
– Robert Rooney, Art, The Age, Melbourne, 21 August 1980
– Alison Fraser, ‘Voyeurism into another world’, The Australian, Melbourne, 18 August 1980
– Nancy Borlase, ‘Squalor and aspiration’, The Sydney Morning Herald, Sydney, 12 July 1980
– Sandra McGrath, ‘Perspecta 81’, The Australian, Sydney, 30 May 1980
1979
– Gertrude Langer, ‘From Nature to Art – From Art to Nature’, Courier Mail, Sydney, 24 February 1979
1978
– Susanna Short, ‘Critic’s Choice’, National Times, Sydney, 16 December 1978
– Nancy Borlase, ‘Magical Presence’, The Sydney Morning Herald, Sydney, 9 December 1978
– Geoffrey de Groen, Conversations with Australian Artists, Quartet, Melbourne, 1 January 1978
1977
– Ruth Faeber, ‘Excavations of the mind’, The Australian Jewish Times, Sydney, 5 May 1977
– W.E.Pidgeon, ‘Cerebral Harmony’, The Sunday Telegraph, Sydney, 1 May 1977
1975
– W.E.Pidgeon, ‘Youngsters stay pure’, The Sunday Telegraph, Sydney, 7 December 1975
– Nancy Borlase, ‘Mainly black and white minimal art makes little call on colours’, The Sydney Morning Herald, Sydney, 4 December 1975
1972
– Bruce Adams, ‘Eccentric Outbursts’, The Sunday Telegraph, Sydney, 17 December 1972
– Nancy Borlase, ‘Art: Excellent Bedfellows’, The Bulletin, Sydney, 16 December 1972
– James Gleeson, ‘Art: Study in Contrast’, The Sun, Sydney, 12 December 1972
– Sandra McGrath, ‘Art’, The Australian, Sydney, 9 December 1972
– Daniel Thomas, ‘Serious, Ambitious and Gifted Artist’, The Sydney Morning Herald, Sydney, 7 December 1972
1965
– Daniel Thomas, ‘Young painters have their say’, The Sunday Telegraph, Sydney, 2 May 1965
1964
– John Henshaw, ‘Art: Graffiti Writ Large’, The Bulletin, Sydney, 31 October 1964
– Daniel Thomas, ‘The Week in Art’, The Telegraph, Sydney, 18 October 1964
– Wallace Thornton, ‘Work of painters under age of 30’, The Sydney Morning Herald, Sydney, 1 April 1964
– Elwyn Lynn, ‘Young are going Pop’, The Australian, Sydney, 1 April 1964